I’m grateful for your dedication to exploring the materials we have been studying together since late January. I am feeling the need to recount exactly what you are responsible for at the midterm break. And I am going to share some of my thoughts on reentry as we are going to hit the ground running when we gather again on Tuesday, March 21.
Most of you will have already completed most everything below. If not, here is everything I have asked for
- Aspect Metacommentary First a clarification. . . . Send me your final edited version by email. An attachment is best but you can also just paste your work into the body of the email:
- Move your draft version on the blog to a “drafts” or “process” or “thinking” or “ephemera” page on your blog. You might put DRAFT at the top of the page.
- Below is an example from Savannah’s commentary that does an exemplary job with a descriptive accounting of each piece of writing with a concise description of the pieces. This is a good model:
This issue contains poetry from M. T. Buckley, Christine Smith, Jeffrey Katz, Barbara A. Holland, Sterling Kelly Webb, Andrew Darlington, Doris Wight, Joan Colby, Dennis Nicholas Hoppin, Karen Solstad, and Rick Smith. It contains art work from Jean Segaloff, Marjorie Masel, Roger Camp, and one anonymous piece that was with permission from the Manchester Central Library. This piece is a photograph taken by a freelance photographer in Manchester, England.
This issue has two essays, the first is titled “Corliss, Master of Power” by Frank J. Jones. This brief piece offers a point of view into mechanical engineer, George H. Corliss’ power and public influence due to his invention, the steam engine in the mid-1800s. The next essay, “Winning in the Sierras by Robie Darche,” is a bit longer. It discusses the position of women in casinos as changegirls and cocktail waitresses, with discussion of keymen as well. Another version of this piece is also found in Canadian Woman’s magazine, BRANCHING OUT.
A description and method of treating “Sore Nipples” from Dr. Willich’s Domeftic Encyclopedia is found, as well as a place to order Edcentric Magazine. Another advertisement for a monthly newsletter named Recon is included on the back page.
Some brief works of fiction are included including “Paradise,” by Gudanowska and “Karla in the Dark,” by Bettina Barrett. Politics include Bureaucracy, Reform, and Intervention in Czechoslovakia. This is by George Shaw Wheeler, Lawrence Hill & Co, and focuses on events during 1968, including the goals of Czechoslovakian reformers and economics.
Still some sentence-level copy editing needed here. But a fine example of a balance between the specific and the general.
- Blogs You have at a minimum six blog posts
- Alexis de Tocqueville’s Democracy in America
- Walt Whitman “Democratic Vistas”
- Commencements (Emerson, Rich, Williams)
- Adrienne Rich essays and Atlas of the Difficult World
- Aspect (a research installment)
- A final blog post on something that captures your learning arc in the first half of the course
You have been invited to curate all of your writing. Write in your voice, show your intelligence. Get away from general and flat words like “response” in your titles. “Know what you are doing and do it well.” (Remember, too, that the hypothes.is annotations you did/are doing on your peers’ blogs are designed to give audience feedback but also for you to look at other blogs and writing and to “resee” what you are doing in relation to others.)
On Tuesday I will read your blogs and assign each member of the class a midterm grade.
Looking Ahead On Tuesday March 21 we will do the first of two classes designed to help you write out a project statement. Our class will be dedicated to sorting ideas and fielding questions about the final project. We will draft a project description and a schedule and our outcomes for the project. Before we meet, make sure you read the Blog Entry “Education for Socially Engaged Art” by Pablo Helguera, the Interview with Pablo Helguera, and look over the materials on Art and Citizenship at PracticalArts.
On Thursday March 23 we will do the second project statement workshop. Read Doris Sommer, Prologue, “Welcome Back,” 1-13, and Chapter One: “From the Top: Government-Sponsored Creativity,” 15-48, in the book you purchased for the course, The Work of Art in the World: Civic Agency and Public Humanities (2014). With the Helguera, and the readings you did before break on government arts programs and sponsorship, this writing will give you a theoretical vocabulary and practical ideas for your work.
While brainstorming session yesterday Savannah raised the challenge of working without an assignment. That is, she suggested the need for some structure. That will be our work the week we return. We have some fabulous ideas (that kept a few of us talking for 30 minutes after class!) My goal for us at the end of our first week back is to have a very clear set of objectives for the seven weeks we will be working on the final project.
For now, my response to Savannah’s question: In general, our project will celebrate, and investigate, examples of cultural production in which art and interpretation are flourishing in the open space of democracy. Each of you will be working with an object (or collection of objects) or a project or performance or social interaction of some kind. Our work is to build a language through which we can represent, celebrate, and consider the place of this work.
Enjoy spring break!